Original: $41.95
-65%$41.95
$14.68The Story
The EQ that moves. Draw a path for every band — then let your whole curve travel.
Crazy S is not an A/B morph EQ. Every one of its 20 filters travels its own hand-drawn path across the spectrum, and a single global Morph position moves them all at once — locked to your DAW, free-running, or right under your fingers. Sweeps, wobbles, vowels, risers and filter rides that would take a dozen automation lanes happen in one move.
Why you’ll love Crazy S
- ✏️ Draw the movement — freehand a path for any band, up to 96 points each. The filter follows exactly what you drew.
- 🎚️ 20 bands, 7 filter types — bells, shelves, low/high pass, band pass and notch, all morphing together.
- 🔊 Analog or digital, per band — flip any filter between an analog-voiced state-variable core and a clean digital curve.
- ⏱️ Sync it or free it — 32 Bars down to 1/32T (dotted & triplet included), or free-run 0.01–40 Hz.
- ↔️ Forward, Ping-Pong or Backward — with Linear, Accelerate or Decelerate easing.
- ⚡ Zero latency — no lookahead, no delay compensation, no excuses.
- 🎛️ 250 factory presets for instant inspiration.
One morph, twenty filters
Place a band, then drag from it to draw where it should go. That path becomes its journey: frequency, gain and Q all travel along it. Do it again for another band, and another. Now one Morph position sweeps your entire EQ through a shape you designed — not a crossfade between two static curves, but real, independent movement per band.
✏️ The graph — draw, drag, shape
- Double-click empty space to add a filter.
- Drag a handle to set frequency and gain.
- Drag from a handle’s outer ring to freehand-draw its morph path.
- Mouse-wheel a handle for Q.
- Right-click for type, enable and delete.
- Live spectrum analyzer, per-band gradient fills, and a glowing dot showing exactly where every filter sits right now.
🎚️ MOTION — how it moves
- Source — Manual (you drive it), Auto (Sync) (locked to host tempo) or Auto (Free) (its own clock).
- Direction — Forward, Ping-Pong or Backward.
- Easing — Linear, Accelerate or Decelerate, so the motion breathes instead of ticking.
- Morph — the master position (0–100%), automatable and MIDI-mappable. Ride it by hand or let it run.
⏱️ TIMING — how fast, and where
- Rate (Bars/Beats) — 32, 16, 8, 4, 2 and 1 Bar, plus 1/2 through 1/32 with dotted and triplet variants.
- Free Rate — 0.01 Hz for slow evolving movement up to 40 Hz for audio-rate mangling.
- Position — a live meter showing the morph travelling through your paths.
- Bypass — freezes all movement instantly, holding the curve exactly where it is. Perfect for finding the sweet spot, then parking there.
🎯 Per-band controls
- Type — Bell, Low Shelf, High Shelf, Low Pass, High Pass, Band Pass or Notch. Set it to None to disengage the band.
- Analog / Digital — an analog-style zero-delay state-variable filter that stays smooth and click-free under fast morphing, or a clean digital response.
- Q — 0.10 to 18.0, from wide and musical to surgical.
- Gain — ±24 dB.
- Q and Gain read out live as the morph moves, and editing them reshapes the whole path instead of flattening it.
🎛️ Global controls
- Input / Output — trim in and out, ±24 dB.
- Mix — 0–100% for parallel EQ movement under the dry signal.
🎛️ 250 factory presets
Start fast with 250 hand-built presets across twelve categories — vocals, drums, bass, instruments, master bus, tone shaping, filtering, tonal and rhythmic morphs, vowels, risers and abstract sound design. Every one is a real drawn curve, not a parameter dump. Browse with next/previous, save your own, and recall everything exactly as you left it — paths included.
Built for your studio
- Zero latency — nothing to compensate, nothing to nudge.
- Click-free morphing — smoothed motion that stays clean even at fast sync rates.
- Full MIDI Learn — map any control to your hardware in seconds.
- Type-in values — double-click any field for an exact number.
- Fully resizable, high-resolution interface with a real-time display.
Specifications
- Formats: VST3, AU, AAX & Standalone
- Systems: Windows & macOS (64-bit)
- Bands: Up to 20, with up to 96 path points each
- Presets: 250 included
- Channels: Mono & Stereo
- Latency: Zero
Stop automating filter sweeps. Draw them once, and let Crazy S ride the curve. 🌀
Description
The EQ that moves. Draw a path for every band — then let your whole curve travel.
Crazy S is not an A/B morph EQ. Every one of its 20 filters travels its own hand-drawn path across the spectrum, and a single global Morph position moves them all at once — locked to your DAW, free-running, or right under your fingers. Sweeps, wobbles, vowels, risers and filter rides that would take a dozen automation lanes happen in one move.
Why you’ll love Crazy S
- ✏️ Draw the movement — freehand a path for any band, up to 96 points each. The filter follows exactly what you drew.
- 🎚️ 20 bands, 7 filter types — bells, shelves, low/high pass, band pass and notch, all morphing together.
- 🔊 Analog or digital, per band — flip any filter between an analog-voiced state-variable core and a clean digital curve.
- ⏱️ Sync it or free it — 32 Bars down to 1/32T (dotted & triplet included), or free-run 0.01–40 Hz.
- ↔️ Forward, Ping-Pong or Backward — with Linear, Accelerate or Decelerate easing.
- ⚡ Zero latency — no lookahead, no delay compensation, no excuses.
- 🎛️ 250 factory presets for instant inspiration.
One morph, twenty filters
Place a band, then drag from it to draw where it should go. That path becomes its journey: frequency, gain and Q all travel along it. Do it again for another band, and another. Now one Morph position sweeps your entire EQ through a shape you designed — not a crossfade between two static curves, but real, independent movement per band.
✏️ The graph — draw, drag, shape
- Double-click empty space to add a filter.
- Drag a handle to set frequency and gain.
- Drag from a handle’s outer ring to freehand-draw its morph path.
- Mouse-wheel a handle for Q.
- Right-click for type, enable and delete.
- Live spectrum analyzer, per-band gradient fills, and a glowing dot showing exactly where every filter sits right now.
🎚️ MOTION — how it moves
- Source — Manual (you drive it), Auto (Sync) (locked to host tempo) or Auto (Free) (its own clock).
- Direction — Forward, Ping-Pong or Backward.
- Easing — Linear, Accelerate or Decelerate, so the motion breathes instead of ticking.
- Morph — the master position (0–100%), automatable and MIDI-mappable. Ride it by hand or let it run.
⏱️ TIMING — how fast, and where
- Rate (Bars/Beats) — 32, 16, 8, 4, 2 and 1 Bar, plus 1/2 through 1/32 with dotted and triplet variants.
- Free Rate — 0.01 Hz for slow evolving movement up to 40 Hz for audio-rate mangling.
- Position — a live meter showing the morph travelling through your paths.
- Bypass — freezes all movement instantly, holding the curve exactly where it is. Perfect for finding the sweet spot, then parking there.
🎯 Per-band controls
- Type — Bell, Low Shelf, High Shelf, Low Pass, High Pass, Band Pass or Notch. Set it to None to disengage the band.
- Analog / Digital — an analog-style zero-delay state-variable filter that stays smooth and click-free under fast morphing, or a clean digital response.
- Q — 0.10 to 18.0, from wide and musical to surgical.
- Gain — ±24 dB.
- Q and Gain read out live as the morph moves, and editing them reshapes the whole path instead of flattening it.
🎛️ Global controls
- Input / Output — trim in and out, ±24 dB.
- Mix — 0–100% for parallel EQ movement under the dry signal.
🎛️ 250 factory presets
Start fast with 250 hand-built presets across twelve categories — vocals, drums, bass, instruments, master bus, tone shaping, filtering, tonal and rhythmic morphs, vowels, risers and abstract sound design. Every one is a real drawn curve, not a parameter dump. Browse with next/previous, save your own, and recall everything exactly as you left it — paths included.
Built for your studio
- Zero latency — nothing to compensate, nothing to nudge.
- Click-free morphing — smoothed motion that stays clean even at fast sync rates.
- Full MIDI Learn — map any control to your hardware in seconds.
- Type-in values — double-click any field for an exact number.
- Fully resizable, high-resolution interface with a real-time display.
Specifications
- Formats: VST3, AU, AAX & Standalone
- Systems: Windows & macOS (64-bit)
- Bands: Up to 20, with up to 96 path points each
- Presets: 250 included
- Channels: Mono & Stereo
- Latency: Zero
Stop automating filter sweeps. Draw them once, and let Crazy S ride the curve. 🌀
